Meadowmusic celebrates 100!

October 25, 2008 at 1:00 pm

MeadowMusicThis is the hundredth post on this blog. It means that we so far have presented ninetynine artists, songwriters and producers. We thought of celebrating this by having a mini cavalcade with songs from some of the artists we have reviewed. Many of these songs are exclusive for download only here on Meadowmusic, and I hope that they are shared with people all over the world if you as a visitor like the songs.

We, here on Meadowmusic, are overwhelmed by all the support we have received since we started in the beginning of July. We started this because it felt like we were carrying around a secret that we just had to share with the world. And the secret was that there’s so much fantastic Swedish music, that seldom is played on the radio or other mainstream channels. And that this music is just as good, well, in fact much better than what is heard there. Well, it’s not a secret anymore, is it?

First we would like to thank you as a visitor, because you come here and listen to the music. Every visit, every time you listen, every recommendation to a friend, every mention of what you hear contributes to the promotion of the artists and their music, and to the support of this blog.
Thank you for all mail and tips and also for the communication with the artists.

We also would like to thank all the artists that support us. And I don’t mean only the artists that we have presented here, but also all of you that have contacted us, telling us that what we do is important and great. Thank you!

Below you’ll find some extra songs with artists from earlier posts. (Click on the artist’s name to go to the post about the artist.)

Pär Edwardson in a fantastic song about a girl with huge hair
The Girl With the Huge Hair

Aurgunn, the poet, on bliss
Saligheten

Lasse Söhr has produced Isak Strand in this song
The Lie

Maini Sorri sings about Goose-Liisa
Hanhi-Liisa

Angelica wishes that you let her enter
Let Me In

Chris Michols wants to go home
I Wanna Go Home

Listen to Jamin Pirnia in a collaboration with Nihad Tule
Are You Happy Now?

Andreas Lundgren is so cool
Sunset-lover

Some Kind of Rubus sings about Goula, “no one could fool’er”
Goula

Rock with Bodies
Loser

And 100 % energy with The Rumble
The Long Run

Martin Bentancourt, whom, together with David Silva, gave the FRA debate some groove this summer, with his hit “Första generationens svenne”
Första generationens svenne

Last but not least the cool Zed Is Dead
Soul Pollution

Angelica

October 22, 2008 at 12:57 am

AngelicaEven though I’m an old farm boy, she took my country virginity and gave me…a pair of Durango boots!

I wasn’t ready mentally yet but, physically more than ready that day, in april 2007, when she hi-jacked my ears. Allears.se was the name of the site, “Off You Go” was the name of the song and this is what my review looked like then:

“Angelica R “off you go” 9 READY!
The intro! MASH 4077…wonderful, borrowed/stolen*
Voice and presence!!! Verse 1 + 2 sneak, tickle and move me!
Then, in chor.#2: the darkest piano I’ve heard in a long time…It sets a subtle, fateful & mellow but, in the context, an appropriate tone of the song. Chor: Not a vivid major lift! But then exactly what fits song/lyrics. The voice, as always, close and genuine! Prod: Can’t find any errors! Lyrics: Note made up in any case! Good! I am foremost curious about the continuation of the success story! /Janne”

Listen and download yourself now:

Off You Go

The title alone could have been (mis)understood as a revulsion directed at me, but my rock tinnitus only understood that it was a genre crossing ballad, a classic!
Already then I threw praises and cyber hugs at Angelica, because of her way of, both vocally and lyrically, managing/interpreting the feeling of abandonment that everyone/many try to describe but few succeeds in…
Now, I was stuck in the mud…
Step #2 became:

Walk Me Home

which is a more trad. country, sort of balladish, but with a Swedish southern slow groove. And just when I had learned my lesson on repeat, Angelica released her first song in Swedish “Ensam kvar” (“Left Alone”) which you hear at Angelica’s Myspace page

Angelica’s site
Angelica on Myspace

Giant Wide

September 8, 2008 at 6:27 am

Giant WideI’m sitting here in the light of the night lamp, which right now is whiskey coloured. But gee I feel good…well not only from the sweet drops from Ardbeg, more, I would say, from the sweet tones from the Gothenburg-Borås band Giant Wide.

I’m looking for influences from the psychedelic blues of Roky Erickson and from Soundtrack of our lives, where Ebbot’s vocals are more of an instrument than just vocals. But I have to say that Giant Wide sounds like Giant Wide and not like anything else. I feels like this great band has found their own unique style.

THIS IS SO GOOD!!! (whoops, the whiskey voice came through)

This is grinding guitars and a drummer that really has to fight to be heard, but really succeeds in the end. The vocals are sometimes really distorted, but is mixed into the songs, not just like “normal” vocals, but like it’s an extra instrument and offers an incredible feeling to it.

Enjoy the songs of Giant Wide:
See the Road
Our Time Is Coming
Go and Get Done
I’ll Leave You Here

Visit the band:
Giant Wide on Myspace

Keep cool,
Jeppe

(translated by Pär/Blindmen)

Armadillo King

September 7, 2008 at 8:00 am

Armadillo KingTo be honest artists like Bob Dylan, Neil Young and Tom Petty normally don’t frequent my speakers, but sometimes they do manage to get me going, especially Dylan. Furthermore it’s easy to see why this line of music is so appealing to many starting up their musical careers – all you need is a guitar and something to share.

The amount of “young men (or women) with guitars” is actually overwhelming when you take a closer look at the swedish demo treasure, as I’ve done during the past few years. And no matter how attractive their initiatives and ambitions may be, it’s all together somewhat watered down to me seeing how few – yes they do exist! – manage to really deliver that personal feeling they’re aiming at (and that obviously is crucial in the singer/songwriter genre). No, it rarely surprises, it all sounds very much alike to this listener.

Three things in which Armadillo King succeeds, and that must work if I’m to be part of it all, are singing, melody and lyrics. Most important about singing is of course the “expression”; it does by no means have to be especifically original or odd but must be personal, can’t be borrowed. If you on top of that, like Armadillo King, is blessed with an infallible sense of pitch as well as an equally – and paradoxically – harsh and smooth voice, you’re not worse off because of it. In my book Armadillo King is a fantastic singer.

As for melody and lyrics they should be symbiotic. Lyrics that doesn’t tell you the obvious floating safely and unstrained in a melody that seem to lack ambitions of originality but that nevertheless carries me, the melody junkie, with it all the way.

Well well, guess it’s a bit ridiculous trying to explain why you should listen to this artist, when the best argument by far is delievered soon as you click on the song of your choice. You’re likely to understand then, the concept of “young man with guitar” at its best.

Selling a Sheep
Million Dollar King
It’s Soon Summertime
Inner Peace
Turn Away
My Raincoat
Still Your Angel

Visit Armadillo King

Armadillo King on Myspace

(translated by Aurgrunn)

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