Feivel – “A Die-Hard Piece”

February 15, 2017 at 5:31 pm

Feivel

Today Feivel, aka Elin Hörberg, serves the first taste of her upcoming album “My Mind and the Thunder Sky”, to be released on the 8th of March. The song is called “A Die-Hard Piece”, a song she wrote together with Peter Liddle from the English band Dry the River. It’s a pearl of a pop song which balances between melancholy and uplifting, sheer melodies and between inner turmoil and soothing certainty.

Feivel on Facebookon Spotifyon Apple Music

In the end of last year she also collaborated with the french producer The Last Port in a remix of her song “Home”. Here her organic sound meets his electronica soundscapes in an interesting blend:

SaidArtch – “In the Beginning of Time” EP

February 14, 2017 at 4:50 pm

SaidArtch

The trio SaidArtch, Moa McAllister, Judith Stocks and Elenoor Roovers, released their debut single “Cash or Visa” last summer and it’s a song that caught me immediately when I listened, a bluesy, garagerock-sounding track with sweet crunchy guitars and a heavy, driving beat. They followed up with the EP “In the Beginning of Time” in the Autumn and added two new songs, songs that get to breathe in a larger room, have more pop-melodic colours and vocal harmonies. While I didn’t quite get “Always Been Crying” the beautiful “Explode” did and shows that the trio have plenty of brushes to paint with.

SaidArtch på Facebookpå Spotifypå Apple Music

Mårten Lärka – “Alouette”

February 6, 2017 at 8:37 pm

Mårten Lärka

A Swedish artist releasing an album with French lyrics isn’t anything you see everyday, and it’s even more uncommon if he doesn’t speak French and is known since before for his rock, pop and folk songs in Swedish. Mårten Lärka says that he’s been addicted to French music for a long time and that he has listened a lot to everything from Jacques Brel, Serge Gainsbourg and Francois Hardy to Stereo Total and Telephone. And I understand him. Due to other writings I started listening myself to French pop and rock a couple of years ago. To my surprise a fascinating world of music opened up to me.

When pop and rock currents from the US and England swept in over France in the 60’s they mingled with chanson, cabaret-traditions, world music etc and created a unique musical melting pot. I sense that they took some parts much further than in other contries, maybe because this was very much alive since before. Of course I’m thinking about the romantic side, but perhaps even more about the rebellious, provocative and defiant sides. Also humour, poetry and contemplating lyrics is something I associate with French music. Well, and then there is this thing about the language itself.

Mårten says that he heard something in French he didn’t know what it was, but that got him excited even though he didn’t understand the words. Something in the colours, the shades and the sound of the language. He decided to dive right into it and started from the beginning by studying Frech on his own.

“But I grew impatient and wrote pieces of lyrics before I had understood the language. It was quite a creative and fun way of learning a language, though. I rather feel like a pioneer in that area. You could apply it to any language education. I managed anyway to write som half-measured lyrics with good help from dictionaries.”

“My saviour was my French-speaking friend Hamid Khodja. He helped me out with pronunciation and choice of words. But it took more than a decade before we started for real. Before that all my song lyrics was in Swedish. But after several attempts to complete a tribute song for my tomato-red Renault 4 L (Laban, Quatrelle) something clicked. It just had to be done in French and there I was back again with my dictionaries.”

The end result after several years of work is the album “Alouette”, a collaboration with Hamid Khodja, who has written many of the texts and also sings on one of the tracks. The album was released last year and is an earthy, downscaled blend of rock, americana, blues and French pop vibes. I hear the rock rebel inside of him as his expression changes when he’s now singing in French instead of Swedish. And he does it with a spark of humour and catches this unexplainable French vibe in his own way. It’s a wonderful, playful and nicely unpolished record. He proves in the opening track that it had to be done in French as “Je suis un rockööör…” really can’t be expressed much cooler in any other language. I picked out three of my favourites and asked him to tell us something about the songs:

About “Je suis un rocker”: “It’s a translation of a song that was called “I am a rocker” from the beginning. We played it in the 90s in my band Opossum. When we changed name to The Trimatics we continued performing the song, but we never got a good recording. In 2014 I stumbled upon the first sketches from the portastudio and started playing with it again. On two tracks there were vocals/harmonica and guitars. I added drums and guitar fills on the two remaining tracks. This happened just as Hamid and I had started again and it fit like a glove to do it in French. This means that the harmonica and the rhythm guitar were 17 years old when the song finally ended up on vinyl. What else to say? Well, about the lyrics, “I am a rocker”. It’s about freedom and joy here as well. A naive and simple idea about seeding some love and like yourself and your life, and to be rocker once in a while.”

About “C´est ma vie ´a moi”: “The first lyrics Hamid gave me were “C´est ma vie ´a moi”. He started from a character he thought fit with my persona. It’s about living your life, with all the flaws that comes with it, without caring to much about what others has to say about it. A rather free and simple attitude to life. ‘I’m neither a prince nor a king but I sleep like a king by night’.”

About “Belle Quatrelle”: “I am (still) very proud that I on my own managed to rhyme Volvo with Voulez vous. Belle means beautiful and Quatrelle (4L) is the French nickname for the amazing car we in Sweden call Laban. A wonderful kitschy tune full of other familiar cars, that can’t be compared with Quatrelle, though. What about Porsche, Chevrolette, Citroén and the mentioned Volvo? I have written the lyrics myself but Hamid has made some corrections. After this song Hamid started writing lyrics for me. But it was “Belle Quatrelle” that started it all.”
(translated from Swedish)

Mårten Lärka’s site – on Facebook – on Spotify – on Apple Music

We Are She – “My Baby”

February 1, 2017 at 6:05 pm

We Are She

The band We Are She, hailing from Härnösand, has recently made a comeback with the two-track single “My Baby”. The last time we heard from them was in 2012 with a full length album. The new songs are characterized by a spacious indiepop sound which they explore in full when they build up the songs and explode in massive guitars and a great energy. “My Baby” is, like they describe it themselves, a perfect party track which I’m sure will get the live audience going, while “Devine” is a bit slower song, intensifying step by step to into a grand-sounding pop explosion. What makes the songs really stand out, and what caught me directly in the first bars in “My Baby”, is Linnea Kempe’s wonderful voice. She has this unique tone and an expression which lifts the entire song to the inviting party ambience they strive for.

We Are She on Facebookon Spotifyon Apple Music

Anti Pony – “Pale Blue Hours”

January 17, 2017 at 2:43 pm

Anti Pony

It’s time to pick up the pen again and I do that in the company of the duo Anti Pony, Sanna Colling och Alexander Pierre, who have spent the Winter in the studio together with the producer Max-Måns Wikman (Dolores Haze, Those Dancing Days, Side Effects). On Thursday we get to hear the result, packaged as their first EP, “Alexander”. Here’s a taste from the album in the shape of the sweet, psychadelic and suggestive song “Pale Blue Hours”. They have refined their sound and radiate, if possible, even more vibes of the late 60’s, and a more prominent Hammond organ, than on the earlier singles, adds the finishing touch. Best so far from the duo, on all levels.

Anti Pony on Facebookon Spotifyon Apple Music

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