Ulf Ljusberg

November 7, 2008 at 1:00 am

Ulf LjusbergI like the close acoustic feeling when I listen to Ulf Ljusberg. My thoughts wander of to a small jazz or blues club, where people in a relaxed way are sitting down, sipping their beer, with their attention on Ulf and his collegues performing on stage. It feels familiar in a way.

It’s hard to directly put Ulf in a single genre. I would say that the base is the blues that often marries folk music in the songs, but there is more than that. There is a nice jazzy playfulness, which surprises me and catches my attention, and an experimention with rhythms that I seldom hear with other artists. Maybe it’s this last thing what makes me sense the uniqueness in Ulf’s music. That he can take an apparently common style and make something new out of it, with a different accent.

Ulf has released a number of EP:s, some of them under the name “Something From a Forest”, but since 2005 in his own name. Read an interview with Ulf on It’s a Trap.

On Ulf’s Last.fm page you can listen more and download songs. You can also visit his Myspace page.
Here’s three songs to enjoy:

Whatever Was
Caught In This Skin (acoustic)
Puzzle

Hans Lundgren

November 5, 2008 at 1:00 am

Hans LundgrenPeople have created fantastic film music throughout the years. I think it’s strange that there’s so few collaborations between musicians/artists and movie creators. A director I spoke with the other day explained to me that he always set aside a rather large sum of money for the music of the movie. But when the movie project takes longer time than expected and other events, unaccounted for, need to be taken care of, this sum of money is used, and compromises have to be done.

I want to tell you about Hans Lundgren, 26 years old, whose music makes me shiver of well-being. Here he describes how he started making film music:

“For me the interest for film music started already at the age of 7 when I used to rush to the TV to be able to see the intro to “Dallas”. I loved the music and how it interacted with the moving pictures. But it wasn’t until I was 15 that I became aware of film music at a deeper level.

After playing and singing several years, I started study music on high school in Skellefteå, and it was there that I seriously started composing music inspired by movies. After that followed studies in composition on Skellefteå Music College, Framnäs Folkhögskola, Musikhögskolan i Piteå, film science at Luleå Tekniska Universitet, and now in Stockholm at KMH (Royal College of Music in Stockholm) and DI.

This is the first time that they have created a film music program on a higher level of education in Sweden. The education is divided more or less with half of the time at KMH and half of the time at DI. The theoretical parts at KMH and the practical parts at DI. And just like with all the other students at the movie department at DI, 4 students are admitted every two years. That is, 4 directors, 4 producers, 4 dubbing editors, 4 film editors, 4 screenwriters, 4 photographers, and now this year also 4 film composers.

As a first project at DI we were assigned to write music for four short films. Every team has their own movie that is supposed to work both as a story that stands for itself and also in a context together with the other three movies. All four films are spun around the same central event which binds the movies together, but from the different perspectives of four people and their unique experience of the situation. It has been a very interesting and fun process to be a part of. My first meeting with the short film I was to compose to, was at a spotting session where I, together with the director, the producer and the others, watched a raw cut of the film where we started discussing how, when and what function the music should have in the movie. When should the music start/end? What’s the emotional style? What’s the musical style, and so on?

After that, I watched the movie a couple of times, without starting to compose anything, just to absorb the movie. It was easier to get to the core of the story then. For this project I made a couple of different versions of the music, before we found something that felt right from an emotional and dramaturgical perspective. We have recently finished the project and made the final cut of the movie. That’s when the dialogue, the music and the effects are mixed together to create a good sound picture for the movie. The premiere will be in November.

Soon the recording of the next project starts, and I am looking forward to being part of telling a story in a musical and dramatic way that drags people into the story. Finally I would like to say that I really hope that this education will help to lift Swedish film music, and that people who want to write music for films can have a place to meet, develop and work together with the professional film makers of the future.”

Here’s a couple of tracks from Hans’ production:

Resan mot ljuset
Death Is Not the End

Do you want know more about Hans? Here is his site.

There you read that he has arranged and orchestrated “Sjökor och Stekare” for the Umeå Symphony Orchestra, that he has been played in P2 (Swedish national radio channel), and that TV4 has shown his short film “Att återvända” (“To come back”). Just the images on his site are worth a visit. Beautiful!
And of course you can listen to his music.

Dorlene Love

November 2, 2008 at 1:00 pm

Dorlene LoveHere’s a band that I think is simply irresistable. Punk rock, Balkan music, and well yes, other kinds of folk music too, is it possible to mix that? Yes, obviously!

The result, which you can listen to here below, is wild, wonderful, intense musical party. Yes, “Cool Cool Anarchy” as the band say it.

Earlier this year, they released their debut album “Exile Deluxe” (Birdnest Records). Listen more by visiting their site or their Myspace page.

Video to “Exile Deluxe”:

Exile Deluxe
Cool Cool Anarchy

Heart-Sick Groans

October 29, 2008 at 1:00 am

Heart-Sick GroansHere’s some music that hopefully puts you in a good mood. Don’t get fool by the name Heart-Sick Groans, because the ambience is just opposite of what could be expected. Fun.

This is happy indie pop with folk influences. Imaginative, playful and mostly acoustic arrangements, with a violin, with tasteful effects and nice harmonies that are laid out in the best Beautiful South manner.

Earlier this year they released the EP “Oh, I Can Do a Number of Things”, and you can listen to a song from the EP below, “The Season For Us”. Now they are recording some new material, from which you can listen to “Suddenly Molly” here.

The Season For Us
Suddenly Molly

Visit Heart-Sick Groans on Myspace

Other music sites and blogs about Heart-sick Groans: Swedesplease, Absolutepunk.net, Pop Tarts Suck Toasted

Angelica

October 22, 2008 at 12:57 am

AngelicaEven though I’m an old farm boy, she took my country virginity and gave me…a pair of Durango boots!

I wasn’t ready mentally yet but, physically more than ready that day, in april 2007, when she hi-jacked my ears. Allears.se was the name of the site, “Off You Go” was the name of the song and this is what my review looked like then:

“Angelica R “off you go” 9 READY!
The intro! MASH 4077…wonderful, borrowed/stolen*
Voice and presence!!! Verse 1 + 2 sneak, tickle and move me!
Then, in chor.#2: the darkest piano I’ve heard in a long time…It sets a subtle, fateful & mellow but, in the context, an appropriate tone of the song. Chor: Not a vivid major lift! But then exactly what fits song/lyrics. The voice, as always, close and genuine! Prod: Can’t find any errors! Lyrics: Note made up in any case! Good! I am foremost curious about the continuation of the success story! /Janne”

Listen and download yourself now:

Off You Go

The title alone could have been (mis)understood as a revulsion directed at me, but my rock tinnitus only understood that it was a genre crossing ballad, a classic!
Already then I threw praises and cyber hugs at Angelica, because of her way of, both vocally and lyrically, managing/interpreting the feeling of abandonment that everyone/many try to describe but few succeeds in…
Now, I was stuck in the mud…
Step #2 became:

Walk Me Home

which is a more trad. country, sort of balladish, but with a Swedish southern slow groove. And just when I had learned my lesson on repeat, Angelica released her first song in Swedish “Ensam kvar” (“Left Alone”) which you hear at Angelica’s Myspace page

Angelica’s site
Angelica on Myspace

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